“Medusa Marinara” Vic Muniz, dye destruction print(photo), 1997 r/Art
A dye destruction print (Cibachrome print, Ilfochrome print) is a print made using a photographic printing process in which colour dyes embedded in the paper are selectively bleached away (destroyed) to form a full-colour image. Polaroid print.
Andrés Serrano Red River 6, 1989 MutualArt
Leakage evaluation. An RhB 10 −2 M solution was prepared by dissolving 0.1 g of RhB (Sigma R 6626-25G) in 20 mL of distilled water placed into 50-mL falcon tubes. To accurately quantify the amount of leakage in the four groups, a calibration curve was drawn using four concentrations of RhB (10 −7, 5 × 10 −7, 10 −6, and 2.5 × 10 −6).
Photography, Cameras and Taking Better Pictures
Carbon printing was introduced from 1864. A sheet of paper was coated with a layer of light-sensitive gelatin which contained a permanent pigment (often carbon). It was then exposed to daylight under a negative.
Photo by Ruud van Empel, 2005, Moon 2, Dye destruction print. Color
A dye destruction print is a silver-process- colour print obtained using a positive transparency - normally a slide - or, from the 1990s onwards, a digital file.
Dye destruction print COLOUR PHOTOGRAPHIC PROCESSES
Ilfochrome (also commonly known as Cibachrome) is a dye destruction positive-to-positive photographic process used for the reproduction of film transparencies on photographic paper. The prints are made on a dimensionally stable polyester base as opposed to traditional paper base.
Revenge of the Goldfish Saint Louis Art Museum
Cameraless Photography Adam Fuss (b.1961) Invocation 1992 Dye destruction print 76 x 101.6 cm Museum no. E.693-1993 To make this piece, a mother briefly placed her child on photographic paper that had been submerged in a tray of shallow water. The resulting image - created by firing flashlight directly at the paper - captures not only the child's outline but also the ripples in the water.
Jeff Wall, Diagonal Composition no. 3, 2000 · SFMOMA
Radioactive Cats. Artist Sandy Skoglund produces images that blend sculpture, painting, and photography in a comment on the human condition. Her work includes ordinary interiors that are frequently invaded by an over-abundance of animals. Open to many interpretations, this large image could be read as a comment on nuclear proliferation or a.
Nan Goldin (American, b. 1953), Trees by the River, Munich, 1994, dye
The use of dye destruction print paper (unwanted dyes embedded in the paper are bleached away leaving a vibrant image) means that the final image is incredibly clear and detailed. Once each image has been produced, it is displayed in the large white space of Fabian Miller's studio, which is flooded with natural light.
Photography, Cameras and Taking Better Pictures
[1] Imbibition printing was initially in monochrome. The basic underlying principle is that bichromate development of a silver gelatine photographic emulsion (not strictly a real chemical emulsion) results in the gelatine being differentially tanned or hardened in proportion to the exposure received, and blackening obtained.
Garry Fabian Miller
unique dye destruction print, 40 x 30 inches. Oct 26-Dec 2, 1995. Artist: Christopher Bucklow. In Bucklow's first solo exhibition in the United States he presented two series, Guest and The Beauty of the World, both created with a 30 x 40 inch, hand-crafted camera which records the sun's image directly onto the photographic paper. What.
Dye destruction print COLOUR PHOTOGRAPHIC PROCESSES
Summary. This is one of twelve dye-destruction contact photographic prints entitled Recto/Verso and taken in 1988 by American photographic artist Robert Heinecken (Tate P15085 - P15096 ). They each feature two colour images of models from fashion magazines which have been overlaid to produce awkward compositions.
Garry Fabian Miller / "Burning (with Gwen) No. 2", 2002, light, oil
Photograph, dye destruction print on transparency on lightbox. Dimensions Unconfirmed: 890 × 725 × 140 mm. Collection Tate. Acquisition. where light and dark are inverted as on the negative of a photographic print. The photographs are taken within a few seconds of each other. Yass has explained: 'The negative image makes bright areas blue.
Victor Landweber, 816 No. Crescent Heights Blvd., Los Angeles
Straightforward processing of a dye-destruction or dye-bleach material yields a positive image from a positive original and consists of: (1) development to form a silver image; (2) stop-fixing to arrest development and remove unexposed silver halide; (3) dye bleaching to bleach the dye in the areas containing a silver image; (4) silver bleaching.
Derges Susan Starfield Spawn MutualArt
A dye destruction print (Cibachrome print, Ilfochrome print) is a print made using a photographic printing process in which colour dyes embedded in the paper are selectively bleached away (destroyed) to form a full-colour image Nan Goldin Self-Portrait on the train, Germany (1992) Tate © Nan Goldin
Sing Sing 2 The Phillips Collection
Silver Dye-Bleach Prints Whereas a black-and-white print requires paper with one layer of emulsion—a light sensitive coating—a silver dye-bleach print (or dye destruction print) such as a Cibachrome print is made on paper containing three emulsion layers, each sensitized to one of the three primary colors of light—red, blue, or green.
Photographs Sale UK by Phillips de Pury & Co. Issuu
Cibachrome is a dye-destruction process, meaning that bleach is used to remove the unnecessary dyes from the emulsion. Each Cibachrome print is composed of ten layers containing various combinations of light-sensitive silver halides and dyes that are sensitive to blue, green, or red light waves.